JessAlba452
Gawd
- Joined
- Sep 25, 2004
- Messages
- 754
Panasonic DMC - FZ15 Good enough for me!
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Tim_axe said:Wild Weasel - Find a room without windows (such as the bathroom), bring some towels to stuff under the door, and basicly make the entire room a nice darkroom. Once you turn the lights out and make sure there are no light leaks, open up the back of your camera, and then fumble with the film to get it back into the canister. Once you're sure all of it is back in the canister you can turn the lights on and hope you were right.
If you're lucky you can develop the roll and not have any fogged pictures; if not you'd have a streamer of exposed/ruined film to toss around. Good luck
BTW, they do make special light-tight film changing bags for this. Could be helpful if you can't toss a quick dark room together...
Could I use a red light in the makshift darkroom? It's been nearly 6 months since the last picture was taken and I've forgotten how to open it...
yeah, how bout buying a Fuji S5100. 16MB card for a 5MP camera. sheeshPowwie said:Canon SD500. Just got it yesterday (thanks to the UPS guy who made a second stop by my place yesterday after he missed me the first time), so I haven't had much practice with it yet.
Just one complaint - a 32meg card in a 7.1 megapixel camera?! Are they on crack?
Same here. Memory sticks are the only reason I will never own a Sony camera. Bastards should get off the proprietary format bandwagon and use something readily available, like SD or CF. It's kind of like having a Canon printer that only works with Canon brand paper.HorsePunchKid said:I can't speak for awdark, but this little comparison is what makes me recommend people avoid Sony's format. Certainly the price discrepancy isn't as large as it used to be, but it's still significant.