My Panasonic GH2 Handheld Rig

jmroberts70

2[H]4U
Joined
Oct 15, 2002
Messages
2,953
After many months of trial and error, I think I finally have a handheld video camera rig I’m happy with. Until I start using anamorphic lenses, this may be the setup for me for the time being…

gh2rig001.jpg


Fully battery-powered, I’ve only tested it continuously for about 40 min but I’m estimating that I can last for a good hour –maybe 90 min without changing batteries. Starting with the camera, I am using a soon-to-be-hacked Panasonic GH2 that I simply could not be happier with. The picture quality is superb (and will only get better after the hack). The lens choices are virtually unlimited when using adapters. I am currently using a Panasonic 20mm f1.7 Pancake lens for a number of reasons but mainly I like the shallow depth of field, amazing low-light performance, and acceptable auto-focus. I will probably move away from auto-focus with my next rig but I am certainly enjoying it while I use it. For more controlled camera work, I fully expect to build a rail system with a follow-focus system but for the time being this has been working quite well. I occasionally have focusing delays when moving shots but for simple “people shots” I’m doing, I’m pretty happy…

The rig’s frame is from Cam-Rak.com. I managed to find them on eBay and got one of their Mark V units for a really good deal. I was initially afraid that the height would be too much but then I managed to unbolt the top bracket and reverse it. That worked for some time (mounting lights from below as opposed to the top) but once I decided to mount a Liliput field monitor, I moved the bracket back to the original position and never looked back! I experimented with many different methods of mounting the field monitor but ultimately wound-up drilling into the side of the vertical rails and inserting 1/4-20 2.5″ bolts with wingnuts to adjust the tension…

gh2rig003.jpg


This turned out to be a fantastic solution. The height of the Cam-Rak frame was perfect for this application and now the field monitor is supported securely on both sides –and I can easily tilt the monitor depending on my viewing angle. Next I mounted the Zoom H4N digital recorder to the frame using some plastic clips I ordered when testing out ways to mount the field monitor. I don’t think this will be the final form of this mount but for now it works great. These clips (ordered on eBay from China) are just plastic and can break if tightened too much (as I found out). But supporting the H4N is not an issue at all. I simply may wind up drilling another through-hole and running more 1/4-20 bolts –but I do like being able to angle the direction of the recorder when needed. This may not be too much of an issue as most of the time my subject is holding this recorder just below view. Also, I may start resorting to a boom operator for sound.

gh2rig004.jpg


For lighting I went with a pair of Neewer CN-160 dimmable lights. At $30 each, you can’t go wrong. They get super bright, have a slot for gel coloring, and run on standard NP-F550 batteries (as well as AA’s if need be). When I need them, they’re great. Ultimately, I am aiming for a ring light from F&V and may have to change my rig somewhat, but these are working quite well for now. My field monitor is the Liliput 5DII-8. It also runs on an NP-F550 battery which means I can buy a 3-pack along with a few I already have for spares and I’m all set…

gh2rig002.jpg


Some of the little things that were needed to pull this rig together came very slowly. I would begin to think of things I may need, order them from China, wait 3 weeks, and find out that it wasn’t the best thing. Each time I thought I’d get something else, it was another 3 week wait for delivery. Still, in the end, I’m very happy with the result –and for very little money relatively speaking. Some of the small details were the clamp for the H4N (the 2nd design I tried to use on this rig). It was a challenge because most camera rigs today run on 15mm rails and not 25mm vertical bars. I’m still not completely happy with the clamp I’m using but it seems to be the best available that I can find. The 1/4-20 screw post that came with the Cam-Rak system broke within days of use from the plastic head that was glued to the screw. I thought I’d find a more sturdy replacement and wound up with another wonderful China-based supplier for the all-metal mounting post I now use. I’ve also added a nice 1/4-20 fender washer and rubber washer under the camera…

gh2rig005.jpg


Some near-future upgrades I’m considering (besides the F&V ring light) would be a unified / centralized battery system. Since I’m running both my lights and field monitor on extended camcorder batteries, it would make sense to simply replace those 3 big batteries for just one large battery with 3 outputs. They all run on 12v so I don’t see why this wouldn’t work. Still, that is a back-burner project now that this rig is up and running. I also have AC adapters for every single component on the rig –including the GH2 camera itself. This has allowed me to record several hours of continuous video without any trouble (having large memory cards helps too). Still, a central battery system may also lighten the rig somewhat too. Actually, I’m not as disappointed with the weight as I thought I would. I expected the Cam-Rak frame to be lighter by itself that it turned out to be (especially because it is aluminum). However, the total weight has helped with stability tremendously and maybe I just need to exercise my arms more anyways!! Still, if I intend on using anamorphic lenses in the future, I’ll need extra lens supports that I just don’t see this rig making possible. This would mean going to a shoulder-mounted rail system –but I’m going to hold off on that as long as I can. Then again, I’m just having too much fun using this thing!!
 
You setup looks very cool. Since you are picking and choosing everything, it'll fit your needs well.

I can imagine the weight helps stabilize everything.

I took a little video of my Mom walking her dog, and I left the tripod hanging down from the camera. What I did was close up the legs, and extend the neck of the tripod a little. Then I held onto the neck. Really smoothed out the video. I was very happy with the outcome.
 
Well most of the smoothness in this rig comes from keeping my hands apart. The closer my hands are to the camera, the more any small movements will be translated to the picture. I do remember seeing something about using a tripod as a steadicam on several YouTube videos too...
 
Not bad. How much got in this setup? Not including the camera or recorder.
 
Let's see...

$90 - Cam-Rak system
$32 - D-ring 1/4" screws (set of 4)
$45 - misc. clamp designs I tried over the months
$62 - 3-pack extended life camcorder batteries (for lights and field monitor)
$92 - 2 x 160 LED dimmable lights
$200 - Lilliput 5DII-H 1080p field monitor
$25 - AC adapter for Panasonic GH2 camera
$50 - misc hardware and cabling
======
$596 - TOTAL

Mind you, this was spent over about a 4-month period while working out all the bugs. Actually, it does look like I'm going to have to move over to a rail system now that I have an anamorphic lens...

gh2rig006.jpg

--Here you can see both the anamorphic and ENG lens I now have.

gh2rig007.jpg

--Here is a comparison with the current 20mm pancake lens I have been happily using for the last few months. Needless to say, this rig will no longer work for where I'm going...
 
Dear jmroberts70 ,

Hello and hope you are faring well!

I am very interested in knowing what size is your anamorphic lens and which clamp you ended up using; I also see a lot of tutorials out there about this setting but things aren't too detailed & not connecting for me.

I bought a Schneider 2x with a 68mm back.... been sitting for over 4 months and too afraid to put more money not knowing if its worth the further investment.

What lens and dioper are you currently using if I may ask?

Any advice is appreciated!

Warm regards
Mush
 
As was suggested by the seller on eBay, I purchased a SMC Pentax-M 50mm f1.7 lens with a PK-to-m4/3 adapter for my GH2. At the other end, I'm using a 49mm to 72mm Step Up Ring Filter Adapter to go from the Pentax lens to the anamorphic lens clamp (found on eBay). I also am using a Schneider Isco 2x front-focusing anamorphic lens. My guess is that we may have the exact same lens! Anyways, I'm actually not too pleased with the lens clamp though. I may just head to my local machine shop one of these days and have them build me something custom for a more secure and solid adapter. I'm not sure what you're asking regarding dioper though...

I wish I had taken a better shot of this setup before I took it back down but here's what I'm aiming for down the road:
gh2rig008.jpg

--I have many more parts to purchase and test before this is ready for prime-time but ultimately I am heading for an all-anamorphic shooting system.

Frankly, I wouldn't worry about spending more money if I were you. Most of the items I purchased AFTER buying the anamorphic lens were pretty cheap. It took me MONTHS to finally have a system that was working properly. I had absolutely no idea how many different adapters I would need and what size and gender I would need for the adapters. It was a lot of trial and error --but not at too much of an expense. It was more a matter of hurry up and wait since most of the parts I was purchasing came from China and usually took 3 weeks to get to me...

In the mean time, here is some of my work as shot from a cheap camera phone:
gh2white-lighting2.jpg

--I am still developing the lighting technique but I'm already very happy with the results I've already obtained. Mind you, I have done some serious lighting adjustments to this photo as I was working in near-darkness in the rest of the room other than what was on the people on camera! Now I'm just working to make this setup easier, simpler, and quicker to set up just about anywhere. The Liliput screen is just fantastic to work with too! This frame is just fantastic for the shooting I have been doing.

Sadly, I have been diverted from doing much more in my photography thanks to my many other jobs but hopefully I'll have a bunch of extra cash when it's all over to dump into my very expensive hobby!! In the mean time, I've got my eye on the GH3 and the Blackmagic Pocket Cinema Camera as a possible new main camera for my growing m4/3 lens collection...
 
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Thank you my friend!

Yes, I think we have the same anamorphic lens!

But may I ask what was your thought of using it? Was it worth your investment?

Since comparing to Kowa, Lomo are much lighter and have the same effect, I am just worry what happens if I take it outside!!

Many thanks for your insight, keep in touch!!

Warm regards,
Mus
 
My initial tests were fairly good. I haven't tested it fully but I may not be able to for several weeks now. My attention has been diverted as of late. I'll keep you posted but I will at least say that I believe it was a worthwhile investment --and my most expensive lens to date. I think with the right settings this setup could easily rival a professional cinema production.
 
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