I have decided to admit that I'm a collector and might as well be honest about it.
I have the NEC LCD2490WUXi-SV, which I reserve for photo editing. I mention that because it provides a benchmark. I've debated whether I want to use it for other stuff but after spending $1300, no.
I bought an HP LP2465 (Samsung LTM240M2 S-PVA panel) on Ebay cheap, and use it for Internet work. It's on all day long so I figure it will burn out sooner rather than later. It's been great but is a little too bright, which I figure will diminish over time.
I was sufficiently impressed that I snapped up another LTM240M2 panel, the Samsung 244t, when I saw it cheap. This one is in use daily for writing and math but not nearly the same hours as the Internet machine. I love the color and contrast but, let's face it, it's more dramatic and less accurate than the NEC 2490. It doesn't replace the 2490 because for some of the photo work I do, I need to be sure that the image is calibrated and accurate--especially the light and dark, because I am working with scanned black & white historical images.
Then this factory refurb NEC LCD2470WNX (also Samsung LTM240M2 panel) popped up at an unusually low price. I had a lot of trouble justifying it but bought it as a backup. It comes tomorrow. We'll see whether it will bump the 244t aside. The "loser," so to speak, becomes the backup.
Why a backup? (This is how I justified it to my significant other.) The Samsung LTM240M2 panel displays were real winners, apart from input lag which is not an issue for me. The new ones are disappearing fast--these are 2006-08. They're not IPS, and they're certainly not A-TW, but they are, IMHO, the next best thing. Meanwhile, the manufacturers seem to have decided upon the 16:9 aspect and wide gamut. I prefer 16:10 and see no advantage whatsoever in going to 16:9. Nikon cameras take a photo that has a 15:10 (3:2) ratio, which is close enough to 16:10 to allow the image to be stretched. The principal competing photographic alternative is the 4:3 ratio which would equal 16:12--so 16:9 is going the wrong way for me. And I am not interested in wide gamut, either.
Feel free to pat me on the head and say, that's nice. Maybe this will be useful information to someone. Apart from the NEC 2490, I have a total of $1050 invested.
I have the NEC LCD2490WUXi-SV, which I reserve for photo editing. I mention that because it provides a benchmark. I've debated whether I want to use it for other stuff but after spending $1300, no.
I bought an HP LP2465 (Samsung LTM240M2 S-PVA panel) on Ebay cheap, and use it for Internet work. It's on all day long so I figure it will burn out sooner rather than later. It's been great but is a little too bright, which I figure will diminish over time.
I was sufficiently impressed that I snapped up another LTM240M2 panel, the Samsung 244t, when I saw it cheap. This one is in use daily for writing and math but not nearly the same hours as the Internet machine. I love the color and contrast but, let's face it, it's more dramatic and less accurate than the NEC 2490. It doesn't replace the 2490 because for some of the photo work I do, I need to be sure that the image is calibrated and accurate--especially the light and dark, because I am working with scanned black & white historical images.
Then this factory refurb NEC LCD2470WNX (also Samsung LTM240M2 panel) popped up at an unusually low price. I had a lot of trouble justifying it but bought it as a backup. It comes tomorrow. We'll see whether it will bump the 244t aside. The "loser," so to speak, becomes the backup.
Why a backup? (This is how I justified it to my significant other.) The Samsung LTM240M2 panel displays were real winners, apart from input lag which is not an issue for me. The new ones are disappearing fast--these are 2006-08. They're not IPS, and they're certainly not A-TW, but they are, IMHO, the next best thing. Meanwhile, the manufacturers seem to have decided upon the 16:9 aspect and wide gamut. I prefer 16:10 and see no advantage whatsoever in going to 16:9. Nikon cameras take a photo that has a 15:10 (3:2) ratio, which is close enough to 16:10 to allow the image to be stretched. The principal competing photographic alternative is the 4:3 ratio which would equal 16:12--so 16:9 is going the wrong way for me. And I am not interested in wide gamut, either.
Feel free to pat me on the head and say, that's nice. Maybe this will be useful information to someone. Apart from the NEC 2490, I have a total of $1050 invested.