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Well, in the circum-aural part of my collection, closed is DT770, ATH-500, HD201 and I once owned a pair of HD280s. I hated them, they sounded so...dead. Lifeless. I can't explain it. Words often fail me. Using at the moment the DT770 for gaming and general music, the ATH-500 for comfort and great sound in classical. The Senns are there for easy transport and decent sound and looks.saturnine2 said:May be a matter of taste... what cans did you hear to reach that comparison?
Awesome. I'll give those a shot, if I can. Skip the 650, though. That's escaping even my enlarged budget for a single item, though.saturnine2 said:Agreed about the HD280 They are just too flat.
If you get a chance, try out a pair of Senn HD580/600/650 or any of the Grado cans sometime. Your opinion might change I feel that open cans (580/600/650/Grado/K501/etc) are the best with my Jazz tastes (Thelonius Monk/Miles Davis/Weather Report/Pat Methany).
A lot of closed cans have strange reverberations because of the closed design, and some people seem to like that.
That's a real shame, it's the only thing that stopped me from jumping up and yelling out in extasy at finding the perfect pair of cans. *sob*mustang_steve said:Grados get more comfortable over time. The cool thing about thin metal bands is they eventually wear in to your head.
As for the bass, that is the weakness of the grados...they are not bass monsters. Amplification can help remedy this to an extent, but they will never compare to other brands for bass.
Can't buy Grado in Oz, damnation. That's why I've only tried Alessandros.saturnine2 said:The old MS-2 (and the MS-2i) is very lean on the bass, I know because I have owned them. They were great, but there just wasn't enough bass there to keep me entertained. Check out the Grado 325i if you want more bass and a bit more treble than the MS-2, but still want the Grado sound. I found the 325i to sound leaps and bounds over the MS-2.