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[TQ] said:You complain about the night games, but the one you posted is your best in my opinion.
All in all though pretty good.
I'm wondering a few things.
I'm assuming you were using your 500 for the day games. What lens at night?
And what ISo is that shot. I'm wondering how the ISO noise compares to the original 1D
mdude85 said:shot 3 is my favorite ... your last one is quite good for a night shot, but the background is really distracting plus it could use a pass through NeatImage and will fix the noise right up. If you want me to post a filtered shot of that last one I will be happy to do so.
I'm not an experienced sports shooter, but I like to see the ball in photos ... many of your shots have people running into each other but no ball in site. this might just be something to think about for next time. you're obviously not hindered by your gear in this situation.
Mr_Bucket said:the night shot was 3200
same lens for all the shots
Mr_Bucket said:hrm?the only 2 shots you cant see the ball in are #13 making a tackle and the stiff arm shot
[TQ] said:*sigh*
I need to get an MKII
Doesnt look like your using a flash, f/4 lens at ISO 3200...
mdude85 said:sorry, not many, but some. 2/7 day shots is around 30%.
If you want me to take that last shot through NeatImage I can do this. The results are pretty nice. It will make you want to buy this program.
nah, flash cant keep up with the camera and makes the shots look ugly at night i think[TQ] said:*sigh*
I need to get an MKII
Doesnt look like your using a flash, f/4 lens at ISO 3200...
Mr_Bucket said:nah, flash cant keep up with the camera and makes the shots look ugly at night i think
[TQ] said:Spray and pray![]()
at f/2.8 ISO 1250 1/250 my flash keeps up with me as fast as i can push the shutter.
Mr_Bucket said:how nice, a condescending comment from tq![]()
do you think that someone from sports illustrated or any other sports photographer doesn't do the same?
[TQ] said:No, i do it too at times.
But given the choice i'd rather shoot at ISO 1600 and 5fps then 8fps at ISO 3200.
But...i'm not looking to start a fight.
Mr_Bucket said:And I'd rather not have the horrible look flash gives to images.
You do realize the football doesn't need to be in the shot for it to be good? In fact many of the better football photos I've seen don't have the ball anywhere near.Mr_Bucket said:hrm?the only 2 shots you cant see the ball in are #13 making a tackle and the stiff arm shot
Sorry, man, but that first one is a perfect example of why a flash kills a shot like that. Granted, it's better than nothing and better than something horribly noisy. But with the kind of falloff you get in shots like that first image, it ends up killing any depth the image might have. The players end up looking like they're being posed on a tiny patch of grass. It's possible you could do some heavy Photoshopping to bring up the brightness in the background, but I suspect it'd be tough to recover that feeling of depth.[TQ] said:Yeah...i guess![]()
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emorphien said:You do realize the football doesn't need to be in the shot for it to be good? In fact many of the better football photos I've seen don't have the ball anywhere near.
Already went over this on genmay, so it's not worth the effort again.
torment said:I think the non-flash pictures look 10x better. The light fall off from the flash ruins the picture for me.
[TQ] said:*sigh*
Again, i'm not saying they dont look better. I dont think you want to see an ISO 3200 shot from my 1D though.
That said the flash photos are not bad and if you thinkt hey look bad for any reason other then content then your one hell of a nit-picky person.
Furthermore, i dont think any highschool football stadium outside of odessa texas has enough light to shoot at reasonable speeds without a flash. I still havnt seen a shot from bucket that isnt blurred at night. In fact he went so far as to say that he wasnt able to get any good shots from football at night.
This is what happens when you mix a cocky kid who gets littered with $10,000 of camera equipment by his parents.
If he was even remotely serious about football photography and had the indespensible parent fund that he aparently has he would have taken the time to realize that 500mm is really too long for a football field, and f/4 is too slow
*EDIT*
I still odnt understand why i get into technique or hardware debate on this forum![]()
True. I remember reading about that in this article about Sports Illustrated's photography setup. (Or possibly in an article linked from there; I really can't remember.) But basically, they have to go through this whole contractual agreement with the venue and the NBA/NFL/N[A-Z]* to specify exactly the intensity and frequency that the strobes can be used with. It sounded like a total pain in the ass, money concerns aside. I'm sure you wouldn't have to go through anything like that for highschool games, but then the price is still horrid anyway[TQ] said:Most pros use strobes mounted on the ceiling. A little out of my price range though.
Olympics don't allow strobes at the events i think, but they have their lighting set up to allow for good exposures... i forget the details now unfortunately.HorsePunchKid said:True. I remember reading about that in this article about Sports Illustrated's photography setup. (Or possibly in an article linked from there; I really can't remember.) But basically, they have to go through this whole contractual agreement with the venue and the NBA/NFL/N[A-Z]* to specify exactly the intensity and frequency that the strobes can be used with. It sounded like a total pain in the ass, money concerns aside. I'm sure you wouldn't have to go through anything like that for highschool games, but then the price is still horrid anyway.
emorphien said:Olympics don't allow strobes at the events i think, but they have their lighting set up to allow for good exposures... i forget the details now unfortunately.![]()
This is what I was thinking of; found the link (indirectly) in the article. I'm guessing they wouldn't have all of these rules if people didn't actually use strobes. But I suppose this is NCAA, not "pro". Have you ever gotten a chance to shoot a pro basketball game? I wonder how the lighting would compare to a place like Giants Stadium.Mr_Bucket said:yeah any pro sporting event has great lighting, i shot at giants stadium last year with a 10D and a 400mm f/2.8 and i was getting about 1/500 at f/3.5 and iso800
it has to be bright enough for tv so it works out very nice for stills
Staff photographer Bob Rosato's collection of gear is fairly typical. To a football game he takes four or five EOS-1D bodies and 600mm f/4, 400mm f/2.8, 300mm f/2.8, 70-200mm f/2.8, and 50mm f/1.4 lenses. For basketball, he adds five or six EOS-1Ds cameras and dispenses with the 400 and 600mm lenses. Of the ten or so camera bodies that he takes to a basketball game, many are of course mounted overhead or around the basket for remote operation.
Rosato controls the basketball remotes with up to ten of LPA Design's Flash Wizard II units, which are designed specifically for syncing multiple cameras to one set of strobes. (He and other staffers still use a few remoted Hasselblads at basketball games and say that nothing else looks quite as good.) For his non-basketball remote setups, Rosato carries eight PocketWizard MultiMAX transceivers.
Mr_Bucket said:yeah any pro sporting event has great lighting, i shot at giants stadium last year with a 10D and a 400mm f/2.8 and i was getting about 1/500 at f/3.5 and iso800
it has to be bright enough for tv so it works out very nice for stills
[TQ] said:Just imagine being in that lighting, say a basketball game, and having strobes setup so you can use a 1Ds at ISO 200![]()
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Mr_Bucket said:what lens would you use? 200mm f/1.8? 135 f/2? the only lens i have that is fast enough for basketball is a 85mm f/1.2 and it focuses so slowly and is a little short for basketball
i used a 1Ds once at b&h and it just takes massive photos that are so detailed but you really need to know how to post process them
I've used the 1Ds quite a bit and will probably use it more soon, and hopefully the MK II before too long. They're beautiful images and great for post processing because you get so much information off that sensor. It's not the same as the medium format or large format backs but it's close to some of them.Mr_Bucket said:i used a 1Ds once at b&h and it just takes massive photos that are so detailed but you really need to know how to post process them
you also forgot that while those lenses have very wide maximum apertures they are also the best in quality canon has[TQ] said:You seem to forget that they are using strobes.