TrueHD is also a compressed sound and used for movies to save space.
It's still mathematically lossless though, so no audio quality is "lost". It's compressed like FLAC and wavpack are compressed.
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TrueHD is also a compressed sound and used for movies to save space.
Moofasa~ said:It's still mathematically lossless though, so no audio quality is "lost". It's compressed like FLAC and wavpack are compressed.
alg7_munif said:Yes it is a lossless compression, compression needs more processing but DVD audio is not compressed. BTW in the review from Club Overclocker, the X-Meridian compress an uncompressed sound but it still sounds good.
HSE said:DVD-Audio is also compressed using Meridian Losless Packing (MLP) from which Dolby TrueHD evolved. It also limits to 24/192 for stereo and 24/96 for surround, that is why some cards with license for MLP playback abide by those limits.
Both schemes are bit-perfect compression, what you encode is what you decode. A scheme can be considered mathemathically losless if the decoded signal is the same waveform with a non-predetermined gain applied.
Donnie27 said:Device: Creative ASIO
Features:
Input channels: 10
Output channels: 2
Input latency: 2300
Output latency: 2300
Min buffer size: 44
Max buffer size: 32768
Preferred buffer size: 2200
Granularity: 8
ASIOOutputReady - supported
Sample rate:
8000 Hz - not supported
11025 Hz - not supported
16000 Hz - not supported
22050 Hz - not supported
32000 Hz - not supported
44100 Hz - supported
48000 Hz - supported
88200 Hz - supported
96000 Hz - supported
176400 Hz - not supported
192000 Hz not supported
alg7_munif said:Sorry my bad, after reading this and I found out that the 24bit/96kHz 6-channel uncompressed format exceeds the allowable bandwidth of DVD specification.
Anyway can someone that has a X-Fi and Rightmark Audio Analyzer 5.5 check for me the supported sound card mode for X-Fi and post it like I did here with my X-Meridian. I suspect that the sound chip on X-Fi can't even do 24bit/192kHz playback in stereo. Donnie27 said that the X-Fi came with a MLP chip, maybe the 24bit/192kHz steroe playback advertised on the X-Fi is not from creative's sound chip itself but from the MLP chip. If you look at Donnie27's post in page 13, the 192kHz Asio output is also not supported.
Moofasa~ said:I'll download it later, but I'll answer your question.
The X-Fi does not have 192kHz support through it's ASIO drivers because it would cut in the market of Creative's EMU line (which does support it, Creative has specifically mentioned that anyone interested in 192kHz support in ASIO should look at their EMU line; basically another way Creative can make money off you). The card itself supports it, just not through its ASIO drivers (perhaps Creative will change their mind in future drivers? I doubt it though).
alg7_munif said:Please download it and post it, I just can't believe anything that Creative said about sample rate as Creative has been sued before.
I suspect that the sound chip on X-Fi can't even do 24bit/192kHz playback in stereo. Donnie27 said that the X-Fi came with a MLP chip, maybe the 24bit/192kHz stereo playback advertised on the X-Fi is not from creative's sound chip itself but from the MLP chip.
Moofasa~ said:Well it works, as I have listened to many 192kHz stereo DVD-Audio discs, but it will not work through ASIO (basically any other output will work). I can download it, but it will say it's not supported through ASIO, because it isn't. It's not advertised to have 192kHz support through ASIO, so I would not expect it to work. It does have 192kHz support though.
alg7_munif said:Sorry my bad, after reading this and I found out that the 24bit/96kHz 6-channel uncompressed format exceeds the allowable bandwidth of DVD specification.
Anyway can someone that has a X-Fi and Rightmark Audio Analyzer 5.5 check for me the supported sound card mode for X-Fi and post it like I did here with my X-Meridian. I suspect that the sound chip on X-Fi can't even do 24bit/192kHz playback in stereo. Donnie27 said that the X-Fi came with a MLP chip, maybe the 24bit/192kHz stereo playback advertised on the X-Fi is not from creative's sound chip itself but from the MLP chip. If you look at Donnie27's post in page 13, 192kHz ASIO output is also not supported.
Donnie27 said:Please note, that test was done in Game Mode. As I said in that Post "Features are turned off and on as the modes change". I can tell you though, 24bit/192kHz stereo (Recording) is NOT supported. Not because of the MLP Chip that has support for 24bit/192kHz stereo but the Wolfson ADC's don't. Again, I linked to Creative saying that themselves.
alg7_munif said:Can you post a screen shot or just post the mode supported by the sound chip like I did? I just want to know which sample rates are really supported by the "great" gaming sound chip, that's all.
Tech-Report
Link!
With and without X-RAM
Quote:
Creative says the X-Fi audio chip can actually handle 24-bit/192kHz recording, but the Fatal1ty's Wolfson WM8775 analog-to-digital converter (ADC) only supports 24-bit input up to 96kHz. The card's Cirrus Logic CS4382 digital-to-audio converter (DAC) supports 24-bit/192kHz output across the board; however, Creative limits 192kHz to stereo output because commercial multichannel 24-bit/192kHz content simply doesn't exist. Multichannel DVD-Audio only goes up to 96kHz, with 192kHz reserved for stereo recordings, making it hard to fault Creative's compromise.
HSE said:Even if that were the case, the only source of commercially available music at that resolution is DVD-Audio (and still 24/192 discs are rare), and being able to listen them in full resolution beats having "true 24/192" with no content to playback.
As a personal comment, I find more appealing properly mixed 24/96 surround than 24/192 stereo. My only disc with a 24/192 track is Hotel California, and while it is possible to discern more detail when listening with headphones (I'd call it "surgically clean audio"), in the surround version of Hotel Califiornia it really comes to life, the guitars engage in a "conversation" that is hard to describe, you have to listen to it.
I have that DVD audio disc and I still think Deep Purple's Machinehead is the better DVD-Audio Mastering/Recording of the two
DVD-Audio playback is analog only, so what's the point?Donnie27 said:Another reason I'm looking at Harmon Kardon 7.1! Yet, not for 7.1 but 24bit-192KHz Stereo.
phide said:DVD-Audio playback is analog only, so what's the point?
I do believe you're over-emphasizing the importance of the sampling rate, just as DAC quality is typically over-emphasized here. ..................................................................................................................................................................... difference between 48kHz and 96kHz is audible. In the audio post environment, we typically record, work with and finalize at 48kHz.
alg7_munif said:Can you post a screen shot or just post the mode supported by the sound chip like I did? I just want to know which sample rates are really supported by the "great" gaming sound chip, that's all.
alg7_munif said:Donnie27,
Will you post the RMAA result or not? BTW, 192/24 SPDIF PCM output is not a problem with my X-Meridian. They also said that I can get 8-channel PCM 192/24 output with the X-Tension board...
alg7_munif said:Thanks for the post, why didn't you post it earlier? Afraid of something or what? I just want to know the real capabilities of the chip.
I haven't seen any DVDs that ship with content exceeding 24/48. I suppose my question is: what content do you have that you want to output at 24/192 via S/PDIF into the HK with 24/192-capable converters?Donnie27 said:Most DVD and DTS Audio disks ship with more than one format. Some Ship with as many as 3, so what's your point?
I've never debated the fact that 96kHz is superior to lower sampling rates. My debate resides with the fact that the differences are essentially inaudible. If you find that there is an audible difference, that's great, but that doesn't necessarily mean that your mind is not simply deciding that there is an appreciable difference (if the content you're playing back isn't already fundamentally different besides the sampling rate). Like I said, quantization at 48kHz is primarily inaudible when played back at real time. Higher sampling rates are useful for:Donnie27 said:24-96 Stereo is better than 24-44 or 48. The difference can be heard even on my Cheap Pioneer Receiver.
phide said:I haven't seen any DVDs that ship with content exceeding 24/48. I suppose my question is: what content do you have that you want to output at 24/192 via S/PDIF into the HK with 24/192-capable converters?
phide said:I haven't seen any DVDs that ship with content exceeding 24/48. I suppose my question is: what content do you have that you want to output at 24/192 via S/PDIF into the HK with 24/192-capable converters?
I've never debated the fact that 96kHz is superior to lower sampling rates. My debate resides with the fact that the differences are essentially inaudible. If you find that there is an audible difference, that's great, but that doesn't necessarily mean that your mind is not simply deciding that there is an appreciable difference (if the content you're playing back isn't already fundamentally different besides the sampling rate). Like I said, quantization at 48kHz is primarily inaudible when played back at real time. Higher sampling rates are useful for:
I'm not trying to ride your ass about these sorts of things, I'm just trying to keep you from needlessly investing in something because you may have been led astray by marketing or word of mouth. There are reasons why few have shipped DVD-Audio discs with 24/192 stereo content, and it's not solely because the bitrate of that content is radically high.
- Higher Nyquist cutoff (rolloff) frequency. This allows the content of the audio to exceed ~23-23.5kHz (48kHz SR). Frequencies higher than 20kHz are essentially inaudible (if you're 18 or older, assume that 17-18kHz are the absolute maximum frequencies that fall above your threshold of hearing), and room interactions from these reproduced frequencies are generally lacking in audibility, as audio waves with frequencies beyond 20kHz are highly sensitive to obstructions and will generally lose most energy instantly upon encountering an obstruction.
- More information per second leading to less destructive editing/modification. Time compression and time expansion are generally the two processes that benefit most from higher sampling rates, but other time-based effects and pitch correction (AutoTune, for example) also benefit.
And no, the higher-end equipment I've monitored on hasn't fooled me. From Genelecs to Yamahas to Blue Skys, I've never noted any fundamental audible differences between 48kHz and 96kHz and beyond. The differences in sampling rates really just lead to less destructive time-based editing. I suppose higher sampling rates may also lead to less ear fatigue, but that doesn't have much bearing on audio quality.
I listened to the demo disk that came with a Panasonic DVD-A player. It had a variety of tunes recorded in a number of different formats. The one that really struck me was called "Dancing Drums" and has lots of cymbals and other percussive instruments. It's a stereo recording done at 24-bits and 192 kHz. The attacks and transients are oh-so-sweet, and the imaging is rock solid. This is definitely a step beyond CD.
Really anything that Harman Kardon makes is good in my book, especially considering their power rating policies (fantastic!), their good looks and their price points. I do think, however, that you need to be cautious concerning specifications and capabilities, especially concerning sampling rates. When you get a chance to A/B some 96kHz and 192kHz stuff, definitely let me know what you think.Donnie27 said:I asked the respected member here, Mister X, about 24-192 and 24-96 compat receivers and checked out a few myself. Two of my favorites are the 245 and 240 H/K.
phide said:Really anything that Harman Kardon makes is good in my book, especially considering their power rating policies (fantastic!), their good looks and their price points. I do think, however, that you need to be cautious concerning specifications and capabilities, especially concerning sampling rates. When you get a chance to A/B some 96kHz and 192kHz stuff, definitely let me know what you think.
cirerita said:the Super Saturated DVD-Stereo DVDs are not DVD-A, you don't need special software to play them.
as to DVD-A, PowerDVD can play license-free material. If you have ripped a DVD-A to your hard-drive, then PowerDVD can play it and you can send the signal over SPIDF or stereo or 5.1, but I don't want to buy a new soundcard if I'm not a 100% sure it will be able to send the license-free 192khz material over SPDIF to the external receiver...
Power DVD 6 Deluxe can play DVD-A (on ANY COMPUTER 5 years old or newer) and is NOT blocked by DRM on the system/Analog
HSE said:Are you sure it can play in 'Advanced Resolution' without crippling the signal? I can't recall the version number but PowerDVD downsampled and then upsampled MLP tracks, this was noticeable in subtle sounds like musicians changing the page or taking breath for wind instruments.
Donnie27 said:I can't tell if 192KHz 2 Ch will work since my receiver is limited to 96KHz 2 Ch and what sounds like 48bit Pro Logic 5.1.
alg7_munif said:With my Z-5400(only support up to 96/24), if I set my card to output 192KHz through spdif, I will hear a very faint sound with lots of cracking and poping.
Donnie27 said:Yes, it does. But please keep in mind, Advanced or the Highest setting aren't the norm. Power DVD 6 Deluxe played and my X-Fi recorded the standard DVD-A 24-96 (24bit-96KHz). For me and IMHO only, I like Hi-2 Channel more than 5.1 at any smaple rate.
alg7_munif said:192KHz is the sample rate of the digital signal, when using analogue, the receiver will just amplify the analogue signal, the D-A conversion is already done by the sound card.