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you people
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talking about the game is the point of the thread.
 
I don’t really have an issue with a girl boss if it has been written well like Ripley in the Alien franchise or Sarah Connor in T2 with faults and flaws and depth to the character.

Modern writers though just write an unlikeable man that can do no wrong and call it a woman.
If a female character has flaws and depth, they are by definition not girl bosses. Ellen Ripley and Sarah Connor are not girl bosses.
 
I don’t really have an issue with a girl boss if it has been written well like Ripley in the Alien franchise or Sarah Connor in T2 with faults and flaws and depth to the character.
Those characters had writers who were actually good at their craft. These writers want us to know what sequins are.
 
I wouldn't call those "girl bosses" either, just awesome protags who happen to be female. "Girl boss" is something more specific.
 
The ten commandments of writing a girlboss:

  1. The girlboss always succeeds at everything on her first try
  2. The girlboss outperforms seasoned masters of the craft on her first attempt
  3. The girlboss can do no wrong, it's always a man's fault if something goes wrong
  4. The only obstacle between a girlboss and her goals are men keeping her down
  5. The girlboss never needs to improve, train or learn, she is already the best from the start
  6. The girlboss can never be lead around by a man, she only leads
  7. The girlboss needs no men, her male followers are always bumbling buffoons
  8. The girlboss needs no help, she gets out of every situation on her own
  9. The girlboss has no love interests, she only uses men as fucktoys
  10. The girlboss has no discernible personality or interests
 
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