By the way, any recommendations on a receiver?
There are a couple of major considerations to keep in mind when looking for a receiver.
Number one would be "features". Does it decode all the audio formats you're interested in using? Or other specific needs. Most receivers today (even cheap ones) do virtually all the basic stuff and have a sufficient number of inputs (e.g., HDMI inputs) for any typical use. Unless you have very specialized uses (e.g., "I have to be able to connect my Microsoft Zune via USB", or "it just has to handle Pandora radio", or "I need five HDMI inputs", or "I need to be able to connect a turntable"), then any old one would do from this point of view, really.
The other would be the quality of the amplifier. On this front, the better brands still have an edge over the mainstream brands. You can be much more assured about the amp performance of a Yamaha, Denon, NAD, Onkyo, Integra, or Marantz, than you would be of an equivalent Sony, Pioneer, Insignia, or Samsung. If you know anything about hi-fi, I'm sure you know that amplifier specs are very easy to lie with. Number one, not all "100-watt-per-channel" amps are created equal. A lot depends on the current generation capability of the amp. Two amps might both be rated (honestly) at 100 Wpc into 8 ohms, but the fineprint in one's specs might state that it can drive 200 watts into 4 ohms, while the other's may state only 120 watts into 4 ohms. The former amp has more power reserves (high current capability) and can drive the same speakers more loudly, or be able to feed problematic speaker loads more successfully. And, number two, the difference between 100 Wpc and 130 Wpc, and so on, is negligible. For one thing, doubling the power output in watts only increases the audio output by 3 decibels, which is almost a single "tick" on most volume knobs. The second thing is that, most users don't exceed something like 5 or 10 watts per channel during the course of typical home theater viewing. So, pay less attention to the "watts-per-channel" figure than the brand's reputation when comparing the amp sections of receivers.
If I were to buy a receiver today, I'd start looking at Yamahas or Denons. I currently use a Yamaha. I used to use a Denon. I love Denon receivers. Their displays are extremely informative about the input signal and the output mode (both in terms of which channels are driven/present) at a glance on their displays. Moreover, most Denon's feature Audyssey room calibration software. Different models feature different levels of sophistication of Audyssey software. I would still be using a Denon if it weren't for one thing: DSP sound fields and headphone use. I switched (back) to a Yamaha only because I live in a small apartment and the performance of the dynamic compression (or "volume leveling") feature of a receiver and its capability of generating spacious and realistic-sounding processed sound fields via headphones has high importance for me. Yamahas blows away the Denons in that regard. But Yamaha uses a proprietary room correction software rather than Audyssey (due to licensing policy) and arguable may not be as advanced as Denon's on that front.
I'm leaning more towards the totems especially since that stereophile review was so good. Let me ask you, if you were to buy a set now, which would you go with, the totems or the Quad L-ite set?
As I mentioned at some point in my preceding long post (I couldn't blame you if you couldn't read the whole thing ), I'd pick the Totems in a heart beat. They have better built cabinets, and arguably superior drivers and output specs.
In the meantime I am going to research the additional Class C and Class D options you recommended and also a sub and receiver.
Sounds good. Meanwhile, let me make one quick comment in case I may have oversold the Stereophile Recommended Components list: Naturally, it's not a foregone conclusion that "any components on the list are better than any components not on the list". This is especially with respect to the Class D components. As you can tell by their price levels, these are not really options that can keep up with the big boys. If you already happen to be looking at options in these price ranges, the inclusion of these models in the Stereophile list is a good enough reason to start by looking at these first. But, if you happen to have an option already in mind in the, say, $500-to-$1000 price range that you really like, it doesn't necessarily mean that it's worse than these Class D options just because it's not on the Stereophile list. After all, Stereophile can only test so many speakers and they only assemble this list from among the ones they've actually tested (and "recently", actually). So, make sure you compare apples to apples and oranges to oranges, when using the Recommended Components list as a guide.