spacediver
2[H]4U
- Joined
- Mar 14, 2013
- Messages
- 2,715
Here's a teaser for the white point balance guide - just the introduction.
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Here's a teaser for the white point balance guide - just the introduction.
Vito, on the first pass in WinDAS - in 6500K (sorry, I didn't record the 9300K), when it asked me to set the max drive level so that Y = 105 cd/m2, I only had to slide it up to 58.
At slider = 58, Y = 105.8 cd/m2. I may not sell this thing after all...
Also anyone using nvidia and want boost in IQ use modded Quadro drivers. Quadro have always been known to have better IQ/colors ..ect and tried them with this monitor and 780s and really noticeable over standard gforce driver with no lost in performance.
these are latest
http://forums.guru3d.com/showthread.php?t=390968
All around IQ even desktop one noticeable difference is digital vibrance on quadro are not as saturated as geforce driver all around image looks slightly crisp/cleanerthanks, but can anyone explain why quadro drivers are better?? is it something manifest in 3d games or are the colors actually better even for desktop usage?
All around IQ even desktop one noticeable difference is digital vibrance on quadro are not as saturated as geforce driver all around image looks slightly crisp/cleaner
So after a good month of using the Sony Artisan, I can safely say that my preference has been drawn in the sand. What it lacks in sharpness (it's a bit softer than my F520 and maybe even than the FW900), it more than makes up for in color reproduction. It really is something to behold. The blacks are blacker than any monitor I've ever used, and the colors are vivid yet accurate.
Can you do an experiment? Turn off all the lights, and display a pure black screen (make sure the entire screen is pure black). What does your DTP-94 read for luminance on your FW900 and on your F520?
another way to test black levels is to turn off all lights, make sure it's as close to pitch black as possible (if it's not dark outside and u have windows, make sure u have very thick curtains, but probably better to wait till night time), fill the screen with a pure black image, and hold up a black object against the screen (like a smartphone, or a black tshirt or something).
On anything but a high end OLED, you'll be able to see the object, but the degree to which it's visible indicates how good your black levels are. With mine, I can make out objects, but their outlines are very faint and it's not immediately clear. The objects look like a vague shadow.
1.Guys is there a difference between FW900 and F520? except the Ratio 16:10?
2.same way of calibrating?
another way to test black levels is to turn off all lights, make sure it's as close to pitch black as possible (if it's not dark outside and u have windows, make sure u have very thick curtains, but probably better to wait till night time), fill the screen with a pure black image, and hold up a black object against the screen (like a smartphone, or a black tshirt or something).
hm.. I could still detect an extremely faint glow on mine even with brightness and biases all at 0.
with my eye-calibrated settings, a pure black image shows a easily visible glow, roughly about as bright as a black image on my iphone 5 with brightness turned all the way down. comparing a white image on my phone to some grey images on the monitor, i estimate the contrast ratio for my settings to be ~10000:1
Anyone interested in accurate colors disables digital vibrance, so this wouldn't really be a consideration. I do, however, look forward to the day when Nvidia adds support for 10 bit framebuffer over opengl through its non quadro line.
Yes. F520 has superior uniformity (pitch, luminance) and the FW900 is substantially bigger. Both have gorgeous pictures and the difference is ultimately a bit apples and oranges...
And the FW900 is not 16:10 or 1.6, but closer to 1.56.
(Other differences as well as folks have mentioned.)
soo in the end the FW900 is only bigger nothin more?
f520 is better in pitch etc expect for its ratio?
and is the way of calibrating the same?
i opened mine and its inner is way different than a FW900
No, FW900 and F520 are completely different animals.
GDM-FW900:
Pitch = 0.23mm (center) - 0.27mm (edges) - This means it's a round tube
22.5 inches viewable
Uses the SMTPE-C (BVM) phosphors
G1W Chassis
GDM-F520
Pitch = 0.22mm (center and edges) - This means it's a flat tube
Not sure what phosphors it uses, but the primaries are different than the GDM-FW900
19.8 inches viewable
CR1 Chassis
Many people will state that the GDM-FW900 is just a bigger F520. And that's not true at all. The GDM-FW900 doesn't use a wider, bigger F520 tube. Their designs seem to be fundamentally different.
In my personal experience:
1. GDM-F520 is sharper than the GDM-FW900
2. GDM-FW900 has better geometry than the GDM-F520
3. GDM-F520 has less phosphor trailing than the GDM-FW900 (could be a subjective - placebo difference).
You buy the FW900 for Widescreen. You buy the F520 for that extra crispness. You buy the Artisan for photo work (more convenient, prettier colors, better blacks). All three will still rock your world.
Not sure what phosphors it uses, but the primaries are different than the GDM-FW900
what makes you say this?
It happens at the driver level with no tweaking its just a better driver than gforce when it comes to IQ looks little crisper and yes i think colors look better/cleaner *without digital vibrance*
Its not huge different but i still there.
damn. Looks like it has a perfect antiglare coating too. If only I could have seen the future a few weeks ago and waited to buy this one.
question for more experienced owners: what does the "antiglare" coating actually do? Is it just a grey piece of plastic?
I was actually going to buy a crystal glare filter that reduced glare without darkening the image but I sold the monitor before I could. Wanted to keep it but my dad pressured me with the fact that the power would be expensive.
Darn power bills!